I am a dressmaker, and I am particularly interested in fashions from the 1950s and 1960s. I discovered vintage kimonos a few years ago; each one has a story, and I love the colors and textures. I always picture the prior owner choosing her kimono very carefully. I find that incorporating fabric from deconstructed kimonos into my own designs gives them an unexpected and unique twist.
Every dress I make is a custom piece -- here is how it works . . .
Additional information:
For this commission, I wanted to make a dress using some vintage kimono silk featuring style elements from the same era as the silk.
I was fortunate enough to find a really stunning bit of kimono silk from the late 1920’s. For the dress, I decided to use simple cotton. This era featured styles that featured bold, horizontal stripes. Many contemporary matchbooks and advertisements featured green/blue colors. And many girls wore hats.
So . . . I designed and made a simple shift dress featuring stripes of green silk. I wanted something more fluid and summery, so I also made an overlay from silk/viscose chiffon to dial back the stripes a bit. I added bands of the same silk fabric to the cuffs, and added some to a hat, too.
I used rayon seam binding to finish the seams.
Beach pajamas were the must-have accessory for fashionable women in the 1930s who were hitting the beach or lounging at their favorite resort. By the way, that is not a skirt – those are two VERY roomy trouser legs.
I like to think there is a connection between Japanese Kimonos and Western Beach Pajamas. Both cultures had recently been experimenting with androgyny in their fashion. Think of the “ideal” figure in the 1920s – flat chest and no hips. Japan’s version of the “flapper” frequently wore trousers, and I can imagine this influencing the development of beach pajamas. One thing is true – the fun art deco patterns that characterized beach pajamas definitely influenced the Japanese textile industry; the modern geometric patterns soon showed up in the kimonos of the era.
I wasn’t too sure that there would be enough fabric to make this; those legs take acres of fabric! But with a little careful manipulation of the pieces that I recovered from the garment, I just squeaked by. I also added a traditional cord (which is normally used to told the belt on) in place of a belt customarily made from the fashion fabric.
Atalier Kanniso
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