Bespoke, couture clothing made with vintage kimono fabric

Bespoke, couture clothing made with vintage kimono fabricBespoke, couture clothing made with vintage kimono fabricBespoke, couture clothing made with vintage kimono fabric
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    • Custom Designs
    • Custom Denim Jackets
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Bespoke, couture clothing made with vintage kimono fabric

Bespoke, couture clothing made with vintage kimono fabricBespoke, couture clothing made with vintage kimono fabricBespoke, couture clothing made with vintage kimono fabric
  • Home
  • Custom Designs
  • Custom Denim Jackets
  • Mission

Own a custom-designed dress made with vintage kimono fabric

How it works


I am a dressmaker, and I am particularly interested in fashions from the 1950s and 1960s.  I discovered vintage kimonos a few years ago; each one has a story, and I love the colors and textures.  I always picture the prior owner choosing her kimono very carefully.  I find that incorporating fabric from deconstructed kimonos into my own designs gives them an unexpected and unique twist.


Every dress I make is a custom piece -- here is how it works . . .


  1. I consult with my client to understand the colors and styles they like best
  2. We work together to come up with something really special and one-of-a-kind
  3. We take your measurements (I am in the NYC area -- in-person is best, but you can also send me your info)
  4. I draft a custom block on pattern paper that fits you and only you (and it's yours to keep)
  5. I make a pattern for your dress, and you try on a toile (a version of the dress done in muslin)
  6. We make adjustments, and I construct the dress with the fashion fabric
  7. We do a first fitting, and I make any last-minute adjustments
  8. We do a final fitting . . . and you have a dress designed just for, that fits you perfectly, and that incorporates some lovely historic kimono fabric


Additional information:


  • I make every dress personally
  • I do finish dresses with period techniques
  • If our dress design requires a little extra support, I also make my own corsets
  • I make "invisible" corsets with multiple layers of tulle, and I use steel boning
  • Repairs are covered for the life of the dress


Japanese Moga style comes to New York

Commission for a "Jazz Age Lawn Party"

For this commission, I wanted to make a dress using some vintage kimono silk featuring style elements from the same era as the silk.


I was fortunate enough to find a really stunning bit of kimono silk from the late 1920’s.  For the dress, I decided to use simple cotton. This era featured styles that featured bold, horizontal stripes.  Many contemporary matchbooks and advertisements featured green/blue colors.  And many girls wore hats.


So . . . I designed and made a simple shift dress featuring stripes of green silk.  I wanted something more fluid and summery, so I also made an overlay from silk/viscose chiffon to dial back the stripes a bit.  I added bands of the same silk fabric to the cuffs, and added some to a hat, too.


I used rayon seam binding to finish the seams.

The kimono influences world fashion

1930's era "Beach Pajamas" made entirely from one kimono

Beach pajamas were the must-have accessory for fashionable women in the 1930s who were hitting the beach or lounging at their favorite resort.  By the way, that is not a skirt – those are two VERY roomy trouser legs.


I like to think there is a connection between Japanese Kimonos and Western Beach Pajamas.  Both cultures had recently been experimenting with androgyny in their fashion.  Think of the “ideal” figure in the 1920s – flat chest and no hips.  Japan’s version of the “flapper” frequently wore trousers, and I can imagine this influencing the development of beach pajamas.  One thing is true – the fun art deco patterns that characterized beach pajamas definitely influenced the Japanese textile industry; the modern geometric patterns soon showed up in the kimonos of the era.


I wasn’t too sure that there would be enough fabric to make this; those legs take acres of fabric!  But with a little careful manipulation of the pieces that I recovered from the garment, I just squeaked by.  I also added a traditional cord (which is normally used to told the belt on) in place of a belt customarily made from the fashion fabric.

Atalier Kanniso

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